Bedbugs XLIV
Click here for an explanation of how Bedbugs is created.
Click here for last week's Bedbugs.
Nail gun surgery was the wisest alternative. Powder
found on trial again when all thoughts are scattered
and narrative fractured four black dresses match what
people we never dated were wearing and no matter
never mind it's snowing black ash inside and
out; get the children inside! Nobody reads this
or anything else. Will it be found by I volunteer to
take it even if I lose everything. Who is making
that sound? Shouldn't people be here? What on
earth is on my doorstep scratching at the wood?
Stay downstairs! Fractured thoughts you can still splinter
your hand on. Between the cracks, people shouldn't be here.
Pretentious run-ons won't fit on a business card. It's improving
in small increments.
Next week's seven phrases/groups of words:
-put the camera away
-sandpaper memories ingrained
-love between 1 and 2pm
-shells found outside
-keep him away from my family
-grow a pair and show me
-that place is miles away but I can see it
-Adam Barnick
Friday, August 8, 2008
Bedbugs XLIV
Wednesday, August 6, 2008
Better Living Through Absurdity
Six Word Theater
Six Word Theater
Click here for last week's entry.
Inspired by the challenge Hemingway undertook to tell a story
in six words("For Sale: baby shoes. Never worn."), I attempt
to polish my skills by telling a six-word story or phrase each
Wednesday.
Feel free to "continue the story" or start your own.
Today's Entry:
Am I undecided?
Yes and no..
-Adam
Six Word Theater will be taking a short vacation..
see you end of September!
Monday, August 4, 2008
Dems Da Brakes (Episode 5)
Minimalist situation comedy/radio play.
Episode 5 "Space Nerd"
Cast:
Samantha: Melissa King
George: Peter Rinaldi
Setting:
The Upper East Side of Manhattan
The BBF Interview: Writer/Director Nick Gaglia (part II)
The BBF Interview: Writer/Director Nick Gaglia (part II) what we usually hear in low/no budget indies. The music department was headed by John Presnell. He was a supporter from very early on and brought on his crew of talented musicians. Dale Chase was solely responsible for the sound design. He's a one man army. Was 2007 your first time at Slamdance? How was the film received and that festival experience overall? 2007 was my first time at Slamdance and I gotta say it was you have to know someone to get into a big festival and it's all political, that's bs when it comes to Slamdance. We submitted a rough cut without knowing anyone on staff there and they chose us based on the merit of our film. After our first screening they had to stop our q & a because it went on so long. And afterward I had a line out the door of industry and various people wanting to speak with me. And that's where we got approached for theatrical distribution from Seventh Art. Afterward, I spoke with Dan Mirvish (one of the festival founders) and he said that we were the first 'under-the-radar' narrative feature in the festival's 13-year history to get offered a distribution deal after our very first screening. it probably took about a year until we had picture lock. That's mainly because we didn't shoot this in the traditional way. We were very guerilla style in the sense that we shot any free moment we had - nights, weekends, whenever, until we finished. you endured, or had you made piece with what had happened to you before shooting? I found the film surprisingly objective while still extremely personal. The process was probably the most cathartic thing I've ever done. least biased way possible and have the audience decide. The details in the film were as it actually happened. Tell us about the upcoming DVD release.
click here for part one of this interview.
Nick Gaglia knew he wanted to be a filmmaker since he was 11,
when he picked up a camera for the first time and wrote,
directed, and acted in his first short film. He was the
youngest kid in his theatre group and studied acting
at Professional Performing Arts School in Manhattan.
His personal life, however, started to deteriorate
when he got into drugs at age 13. Subsequently, his mother
checked him into an unregulated “tough love”
drug rehab(KIDS of North Jersey) that would change
his life forever. The rehab boasted of being the only place
in the world that could keep kids safe and sober, but what
really went on behind closed doors was quite the contrary;
corporal punishment, humiliation tactics, sleep and food
deprivation, false imprisonment, and mind control were
daily routines for Gaglia and group members.
After enduring the abuse for 2 ½ years, Gaglia escaped
the rehab and went on to study filmmaking at Hunter College.
After honing his skills with several short films, Gaglia made his first
narrative feature, Over the GW, based on his unique experience
in rehab. GW premiered at the 2007 Slamdance Film Festival,
where it was the first “under the radar” feature in the festival’s
13-year history to get a distribution deal after its first screening.
The film went on to play theatrically in New York, Los Angeles,
Chicago, and Maryland and was received with enthusiastic praise.
Click HERE for part one of this interview.
AB: How did you get released? And when/how
was the program stopped?
Nick Gaglia: The program got shut down in '98 I believe, then
went underground and still took place illegally in people's houses.
I escaped one day on the GW bridge on the way to a host home.
When did you reveal to people working on this that the film
was based in truth?
Besides Kether, I never told anyone it was based on me.
I wanted the work to be about the subject and the text
and not exactly about me. After the film came out I made a decision
to make it public that it was based on me because I wanted
audiences to know that this is a real issue that's going on
and not just some movie I made up. So I think when the cast read
all the press on the film that's when they actually found out
it was based on my story.
What has been the reaction at festivals and during your
theatrical run been like, for general audiences
and survivors who have come to see it?
The film has been incredibly well received, especially by survivors.
It's really interesting though, when a general audience member
sees the film they're like, 'wow, this must be the severely dramatized
version of what went on.' And when survivors see it they're like,
'I really love the film but that's the watered down version.'
So I always laugh. I did water it down because I felt it would be too
tough to watch if I went all the way with it.
Especially for survivors, with PTSD and all.
Private screening of GW in New York;
many survivors in attendance:
Who did your music and sound design? They’re heads above
one of the best experiences of my life! First off, when they say
How long did it take you to edit the film?
The editing was on-going as we shot the film. So, all in all,
Was the filmmaking process cathartic for the experience
On the 'objective' comment, I wanted to tell the story in the
Kether, George, and myself did a really fun commentary
together. It'll be available later on this year. And the soundtrack will
be available on iTunes this Fall.
What’s next for you as a director and/or writer?
I'm working on developing several projects right now.
One in particular is a documentary putting the teen
'tough-love' industry in context.
Please give us some words of wisdom.
All I can say is follow your passions no matter what.
That's all we have in this life.
"Over the GW" gets cited in a Congressional Hearing
on "Child Abuse and Deceptive Marketing by
Residential Programs for Teens."
-Adam Barnick
Sunday, August 3, 2008
The Story Slice by Brian Hughes
The masseuse ducked her head back in and smiled:
“Okay … yes?”
“Yes, come in. I’m ready,” Arlen said, then exhaled, watching the masseuse’s feet moving to and fro from the face cutout in the bench. She placed a full-length towel over the backside of his body and began loosening his muscles by rubbing him from his feet to his calves to his ribs, on up to his shoulders and neck. After mustering up the proper chi, the masseuse unfurled the towel to just above his ass. Arlen closed his eyes as tranquil new age music emanated softly from two speakers sitting high above the room on shelves. The masseuse squeezed out massage oil into her hands then hovered her palms just below Arlen’s face in the cutout so that he might catch some aromatherapy. He liked it – a musky, tropical banana smell. Arlen liked bananas. He also liked the heat that existed between her hands and his body as she rubbed the back of his neck and shoulders. And with every tissue pressed and knot untied, he liked to imagine all the metaphoric cancers and muscle diseases and tumors being squeezed out of him. That with every session a force field of peace and goodness was taking reign over his body, a realm where no diseases could ever penetrate. It was the power of positive reinforcement and healing. Arlen couldn’t prove that it worked, but to his way of thinking, the mind was capable of so many powers as yet unknown to humans, that this was as good a technique as any in fighting the failures and frailties of the body. In his mind’s eye, he could see cancer cells wafting to the ceiling and popping like a child’s bubbles.
He groaned as the masseuse kneed a shoulder joint with her elbow. She giggled just then. Arlen thought that was cute. He wasn’t familiar with this particular gal. Her name was Mary. Yeah, right … if her name is Mary, then mine is Ming, he thought. “Ugggghhhh,” went Arlen as she giggled again. “Why are you giggling?” Mary just laughed again and said something under her breath in broken English that he couldn’t quite understand. She was a small woman, but the deep tissue massage she was dishing out, the strength and glorious force, made Arlen think that perhaps she was a goddess – the goddess “Masseuse” or something. Leaving him was the kidney failure, the arthritis, the Lou Gherig’s disease, the pancreatic cancer.
“You have nice, strong body,” Mary said.
“Thank you. I work out.”
“Yes, I can tell.” Mary laughed again as she began rubbing Arlen’s legs, moving up the thigh and skimming his ball sack. Arlen’s cock woke up. He didn’t like to get a hardon during a massage, though he was perfectly fine with it; but he liked to avoid it, so he began thinking about the company wide layoffs due in the spring, about his life insurance, about who would catch for the Yankees now that Posada was on the DL. Arlen kept the little guy at bay until she began working the other leg, continuing to giggle as she was moving up and down it. Why was she giggling so much? Can she see that I’m getting a woody? Maybe I didn’t wipe my ass well enough, he thought in a panic. No, that wasn’t it he thought – he had showered before he arrived.
“You’re so good! I’m really enjoying this.”
“Ummm, yeah … I can tell,” Mary said with a laugh.
Okay, she definitely knows I’m hard, Arlen thought. No doubt. All her giggling reminded him of one of those blooper shows where they show outtakes of an actress who keeps cracking up during a scene. It’s not very professional, he thought, but it’s making me more and more hard. She began working Arlen’s fingers.
“You married?”
“Yes I am.”
“Hum.”
“Are you married?”
“Oh no! I would love to be married, but you taken.”
“Now, now … I know you must have lots of boyfriends with those magical hands of yours.”
“No … no… I wish, but no…” Mary continued to giggle.
As she lifted his leg up and stretched it, his penis began to swish against the table, causing it to stiffen slightly. Arlen tried to continue to stay focused on the massage, not that he was getting excited - concentrating further on his body, on his immune system, on his survival.
“You have nice build. Yes.”
“You have an attractive body as well. Why haven’t you found a nice man yet?”
She let out a guffaw, slapping her hands down on Arlen’s ass in exasperation.
“I not been lucky to find white collar man like yourself.”
“You don’t want a white collar man like myself. Oh, no … I’m no good.”
“Oh, yes … like you… yes…” she giggled again as she switched legs – his hardening cock pressing against his abdomen. Arlen would moan now and again – especially as she worked his thighs and calves, the last set of squats at the gym having really tore them up pretty good.
“You’re so good my Chinese flower … so good.”
“Ummm … yes, I can tell…” said Mary with a grin.
After she walked on his back, pressing her toes deep into his spine, after she had elbowed everything into pure bliss, it was time for Mary to work the front of his torso. Arlen happily turned over – hardly shy to expose his large erection. Mary snuck a look and placed the towel over his center region. She started scrubbing his head, digging her fingernails into his scalp – it was his least liked part of the session, but there was a glutton for punishment deep inside Arleb that prevented him from telling her to stop: He just squeezed his teeth together and imagined brain cancer being rubbed out like a Brillo pad working out the grease on a stove. After a thorough massage of his feet, arms and legs, she ran her hands across his hairless, muscular chest, and moved down his torso just far enough to knick the head of his penis. Arlen was tenser now that the session was near completion than when he had entered the room.
“You know Mary, it’s tough … and, you know, I’m sorry that I’m, you know,” Arlen said gesturing to his erect shaft. She giggled once more, throwing her hands in front of her eyes in a playful motion. “And you know,” Arlen continued, “it’s a muscle and all, and it is left to just … to just be there, ya know.” He shook his head and sighed. The massage was over and Mary handed Arlen his robe. Arlen slowly put it on, making sure to give Mary one last look before she exited the room. She did look again, and smiled.
Arlen and his wife, Doris, sat on large comfy chairs in the rest area, eating fruit and enjoying the ambiance of lit candles and small, manmade waterfalls. Arlen needed terribly to go home and fuck Doris – he was frustrated, chewing up pineapple – brooding on his massage.
“I’m more tense now that the massage is over than when I went in.”
“Why?”
Doris was a former Houston, Texas beauty pageant runner up. Her body was still firm, but her face was collapsing under a canopy of large blonde hair.
“Because she was touching me near my penis and she was giggling.”
“I bet you enjoyed it. There is such a double standard in this world.”
“Actually … I didn’t enjoy it.”
“If a guy had done something like that to me, you would have gotten angry at the guy and probably at me!”
“I didn’t like it, I said.”
“You should say something, that’s very unprofessional AND I think illegal.”
“Yeah, well …”
Mary the massager brought a tray of juices over to Arlen and Doris, smiling.” They gave her a dirty look. “I’m not thirsty,” Arlen said.
“Say something,” Doris said. Arlen remained mum. Mary walked away – confused.
“I knew you wouldn’t say something – just like you. You probably loved it, that’s why you won’t say anything.”
“I tell you, that is not true. It made me very uncomfortable.”
“So uncomfortable that you won’t say anything.”
After Arlen and Doris had dressed, they walked up to the front to pay for their massages. Doris began putting her shoes on. Arlen looked frustrated as he handed his credit card to the squeaky clean Asian boy manning the front desk.
“Will you be paying for both, sir?”
“Yes – and … let me tell you, I find this establishment to be very unprofessional and highly distasteful. My massager, ‘Mary’ I believe her name was, kept massaging near my private area, making me very uncomfortable. I don’t know what she was expecting, but I asked her repeatedly to stop and she wouldn’t hear it. I don’t know if she could understand English or something, but I was very put off.”
“That is terrible Sir. I can assure you, we are not one of those establishments.”
“Well, I think you had better have a talk with ‘Mary’ – or can her ass, because she can get arrested for stuff like that? If she thinks I’m a ‘John’ – she has another thing coming.”
“Please fell free to write our Manager, she is not working today, and I’m sure she will take care of the situation. I am very sorry sir; we will not charge you for your session. I am very, very sorry.”
Arlen continued on like that for another minute or two as he put on his three hundred dollar pair of shoes.
“I’m very proud of you,” Doris said, hugging Arlen around as they left.
Friday, August 1, 2008
Bedbugs XLIII
Bedbugs XLIII
Click here for an explanation of how Bedbugs is created.
Click here for last week's Bedbugs.
"I'm disappointed in you," the artificial box says, attached to
the machine pretending to be my wife. I'd turn it off but
what's the use? Another distraction is at the door; the decay
has left three holes in the floor; none of which anyone can fit through.
The moment has been prepared for. I'm giving up on you.
And this time I mean it. No matter man in white on the top of it
must be pretending to be God; well, SOMEBODY has to.. I'll
shut it out. Anything that could change us into what we should
or want to be. 44 years of denial- one day, who's going
to reach this and lay in the field, as they add color and sirens
of the aural and flesh-covered kind. I need one to lie down here.
Make me wait for anything real? Sadly someone, if not the entire
population, will. The phone in her head won't stop ringing.
I snicker at the potential punchline.
Exactly four years ago things sucked but were proclaimed 'the good
old days.' Breaking a glass, the third man carves 'this is all
a waste of time' into the wall. It oozes sap, bleeding like he can't.
Turning, smiling, two rows of teeth on top and bottom. Knowing
Dad's health is improving is a fine wish. But even if everyone gets it
together, she might not. Can't wait for you forever.
Next week's seven phrases/groups of words:
-on trial again
-four black dresses
-nobody reads this or anything else
-I volunteer to take it
-shouldn't people be here
-people shouldn't be here
-it's improving in small increments
-adam